As a mixed-media artist, my work is a conversation between the past and present, shaped by my deep connection to nature and the ocean as well as the intricate relationships we share with our environment.

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Equally important is the mediums I choose to use in my creative process. In my cyanotype and painted works, I employ an intuitive approach. By treating printmaking paper with environmentally friendly light-sensitive chemicals, I create a canvas for locally collected plant life, which I expose to sunlight. This process not only preserves the beauty of these organic forms but also invites a dialogue between the natural and the artistic process. Once developed, I hand paint over the prints, layering color and mark-making to add depth and personal expression.

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I’ve also worked extensively with encaustic since 2012, in combination with photography, to create depth and an ethereal quality that is unique to this medium. While I continue to value its distinct capabilities, my approach to encaustic is evolving in new ways.

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Growing up on the East Coast has instilled in me a profound appreciation for our oceans and landscapes. Nautical maps often find their way into my pieces, weaving personal travel experiences into the fabric of my work. Through my art, I aim to foster a deeper awareness of our interconnectedness with the environment and highlight the urgent need to preserve it for future generations.

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Ultimately, to inspire viewers to reflect on their relationship with nature and recognize the vital role we all play in its stewardship.