Bits & Pieces: Charting the Course introduces a periodic exploration within my studio practice. While my primary collections center on painted cyanotypes, Bits & Pieces gives me the freedom to revisit, reimagine, and transform fragments—both from my own studio process and from earlier works—into new compositions.

​

Working across cyanotype, monotype, and mixed media on paper, I explore layering, reassembly, weaving, and abstraction to create intimate compositions inspired by the natural world and the interconnected relationships within it. Fragments of botanical forms, marks, and impressions are brought together in unexpected ways, allowing new relationships to emerge through the process of making.

​

Rooted in transformation and reuse, the work considers impermanence, renewal, and the possibility that overlooked or discarded elements can hold meaning and beauty. Each composition becomes a dialogue between material, process, and memory—where fragments are not simply remnants of what came before, but the starting point for something new.